Chicago (poem)

Chicago:

A student dreamed

arches, bridges, homes.

Everywhere he looked

one more school of solid,

one more example of

Sandburg’s broad shoulders.

Montauk, Sears, Reliance, Rookery,

Wright, Mies, Sullivan–

none could stop his slope

down, under the bridge

and then home,

under a newspaper

ads for palm tree warmth.

He rose, all long white hair

and smell, grumbling

at horrified commuters

heading home.

© 2019 L. Koenig

(image of the Montauk Building, Chicago, from the creative commons)

I thought I was being clever… blogs, writing, poetry, grief (once again–still?)

This image has an empty alt attribute; its file name is happy-new-year-2022.jpg

I thought I was being clever creating a unique email address for this blog. But then the pandemic hit, my sister died, and I just gave up on some things.

Like the blog.

Like poetry.

So it was a hassle recovering my blog.

And I think I am ready to return to poetry, not that poetry has missed me.

My brother died recently, and I am grieving in a weird way. ANGRY, sad, angry, sad. So angry.

Writing might help.

I am pursuing helping others with literacy growth in a big way, tutoring ESL, GED, and teaching literacy classes–in my retirement. This lets me know how much I value literacy.

My trusty OLD laptop died, and I replaced it right away. This lets me know how much I value literacy.

As I try to recover old documents, I am trying to find more than 1/3 of a MILLION documents created. This lets me know how much I value literacy. As I read some of my poetry and fiction/ nonfiction, I find pieces I want to edit and revise.

I need to get the twitter bashers out of my mind’s eye, for they almost took away my desire to write poetry. Use the wrong word or use the wrong voice and you can be canceled, vilified.

So here’s to grief (again? still?) and a continuing pandemic I’d like to write away. That won’t happen, but perhaps I can find the joy of creation once again if I stop listening to the voices of the poet and poetry bashers who seem to pounce if a wrong word or tone or voice is used, even unwittingly, even when trying to create art. (Persona poems are one of my favorite types.)

And here’s to writing down passwords and email logins somewhere else!

Happy new year, all. And thanks for reading.

A Pandemic, Privilege, Poetry (More or Less)

Recipe for constriction:

Twenty years of complicated trauma plus four years of being stalked by a violent “friend” taught about being hyper vigilant–for more than six decades. Have her injured and retired much earlier than planned, and just beginning to find her way during this retirement. Have her proud for not overreacting for news of a novel virus; no, this time she will not stock up or freak out. It’s on the other side of the world, right? Right? Add grief for a lost sister and a state of shock about her new reality.

Add the pandemic.

Click. Knowing she is privileged. Knowing how many are suffering physically and emotionally. Guilt over privilege. I know, she will give up something she loves, make a sacrifice. Bye bye, poetry. She will volunteer more and more, to help others. She finds students who need help and mails lessons, materials, makes phone calls. Tutors.

Click. Husband forced retired early due to pandemic. Lucky, lucky they are and they know it. Able to do this, rather than face the pandemic daily, face first, face to face.

Click. His former employer is no longer paying him since he doesn’t work there anymore. He’s having to deal with sudden retirement.

And they are lucky, and they know it. Yet it is scary to have to be so worried about money once again, after five decades of working hard to get out of debt and be sufficient.

It is, however, a recipe for constriction, a recipe to kill poetry. It is a recipe for clenched jaws that make her jaw muscles so strong, they could snap wire. CLICK, CLICK, CLICK.

See, see what happens that one time you decide not to be hyper vigilant, not to worry and stock up.

The days are okay, for there is sunlight and she forces herself to take nature walks, one thing not denied. It’s healthy to walk. Stay away from others on the path, wear a mask.

But the nights close in and find nightmares returning, ruminations, constrictions. Worries. More rumination. This is not what she had planned for retirement. She knows how lucky she is. She misses people more than she can say. She likes people. She misses her sister. She is with grief and night, grief for the pandemic, for the loss of her sister, for the “so that was my career” thoughts. She uses carbs to calm herself. All the carbs.

I knew somehow this would happen, she thinks. I am getting older by the day. I’ll never be able to enjoy retirement. I miss work. I miss teaching. I am living a meaningless life right now, helping no one and doing nothing, she thinks, even while knowing she would never judge another this harshly.

She walks more during the day, even on the days when the windchill is dangerous. She only stops on the days when the house door is frozen shut. Not trusting the gym during an airborne virus pandemic, she walks the halls at night and frets.

Be hyper vigilant. There is a killer novel virus. Stay away from others. Wash those hands very often. Be hyper vigilant. You should have been hyper vigilant. See? Told you so.

Twenty years of complicated trauma plus four years of being stalked by a violent “friend” taught about being hyper vigilant. For more than six decades. Did you suddenly forget important life lessons?

Before the pandemic, she was writing a lot of poetry and publishing; after the pandemic, the constriction, the clenched jaws and the nightmares prohibit poetry.

More or less. Things are opening up now. She is trying not to over react to words such as variant. She is trying to relax enough to read poetry. She is trying to write again, to write poetry. She has found nature classes online bring joy and looking up and looking down while walking in the woods shows her the unimaginable beauties she never saw before in her work, work, work, work days.

She thinks about a pandemic, privilege, and poetry. She knows deeply how lucky she has been. She knows that her mind and body didn’t seem to care, that she reacted at a primitive level of survival. She knows she should be more relaxed and joyful as the new pandemic rules ease up, as people are able to socialize again, get out more again. She knows it is much safer now than fifteen months ago. She knows it’s her rotten trauma responses keeping her on the edge, hyper vigilant, getting her mind full of stinking thinking. She knows how much she misses her career, teaching, and misses people. She knows she should lighten up.

More or less.

(Image from the Creative Commons)

“Pray with Bones” to be Published by High Shelf Press in October

I am pleased to learn my poem, “Pray with Bones,” will be published in High Shelf Press, online and in print on October 15th. I work shopped this poem in a class this summer, and must thank my colleagues there.

I’ve always liked this poem, but could not find a home for it for a long time. It is weird–but I admit to liking it. Grief and elephants–how could I not like my own poem?

In a fit of gloominess, I was just about the withdraw ALL my submissions everywhere–to match my mood.

Glad I didn’t. And once again, I hid grief in a poem.

Thanks for reading.

#poetry#amwriting #HighShelfPress

On Turning the Big 65/ Joy and Grief During the Pandemic

On 7-21-1970, I was walking to work (one hour walk there, one hour walk home…to work two hours…) and thinking, oh man, I have to work until I’m 65? I was flipping burgers, cleaning tables, working with the public.

Folks, I am 65 years old today. To say I am stunned would be true, for how did this happen so quickly?

Wait, there were many long days and nights–but so much went so quickly!

I had a business career and then a teaching career. I am still teaching after retirement and loving it. I am tutoring, writing poetry, and living as well as I can.

***As to grief, picking up a bottle of Aleve yesterday had me crying over my sister. I miss having a sister so much. I would send her or bring her Aleve for she was in pain for so many years. I looked at the long list of things I brought to her and ordered for her and could almost chart her decline that way. At first they would just be gifts or nice things for her apartment. And little by little they became necessities to keep her from excruciating pain. How horrible to live for 40 years in excruciating pain. I’m very sorry that happened to her and I miss her a lot.

Looking back now I can see she knew that her end near and that she had made peace with this.

Towards the last half year of her life, my sister wasn’t able to read, drive, walk sleep. She had a series of agonizing painful days. Towards the very end, she forgot how to use the telephone. She kept losing things such as her phone and would be on the floor for days. She wanted to stay living alone on her own and refused living with anyone else. That was her right. That’s how she wanted it. Adamantly. Still, it was very sad seeing her not able to use the phone, remember her phone number, or even remember that if she touched the number on her phone screen she could dial her number. She got very afraid at the end because she knew she couldn’t remember things. We think it was brain cancer or loss of oxygen to the brain.

My sister was not very compliant with hospice wishes. She wanted to live on her terms and then die. And that’s what she did.

Still, she did manage to go out for coffee one last time and flirt with the wait staff. She wanted one more Christmas holiday but that was not to be, so I will make sure to celebrate for the both of us.

And life goes on on my end. I’m retired but still teaching. Tutoring. Writing poetry.

I am now the age she was when she passed away last year and I will soon be older than my older sister ever was.I know it was horrible pain for her at the end especially, but I miss my sister very much.

(Photo taken by me at the Chicago Windows, the Art Institute of Chicago, artist Marc Chagall.)

Sometimes, Poems/ A Grandfather with his Grandchildren

800px-The_Favorite_by_Georgios_Iakovidis    Sometimes, Poems

Perhaps it was his apology to his children, after all, his gentleness with and joyful love for his grandchildren.

Or perhaps it was the lessening of pressures due to not having a direct responsibility for the lives of little ones.

Whatever the reason, it helped his children and hurt them at the same time to see what might have been, what they longed for but did not have. While they did not want the grandchildren to have a lesser life with their grandfather, they felt openings, more holes in their own lives witnessing what might have been.

Some holes became filled with bad habits and some remained unfilled like Langston’s open sore, weeping then crusting over, and sometimes exploding. A breakdown. A prayer. An addiction. A hesitance. More holes.

And sometimes, poems.

 

Image in the public domain, The Favorite – Grandfather and Grandson, by Georgios Jakobides (1890)

And a Literary Journal Survives… Phew

Addendum: I am pleased Coffin Bell Journal IS publishing again.  Always glad when literary journals survive.  It can be read here: Coffin Bell.

two red candles beside plant in pot

  Two LOVELY journals I was published in during the last year have closed their internet doors/ sites. I am sad about this, for each brought a different  point of view to the world. One was very political and one was very psychological. Sad about this, but hoping their words last out there.

Good bye (for now?) to Tuck Magazine and Coffin Bell. The first published some of my political poetry and the second a feminist poem disguised as a horror story.

Writing Sideways Poems/ “Where You Are Not” in Esthetic Apostle

Back in 2001-2005,  I suffered the loss of several loved ones, both families and friends.  Before then, I sometimes marveled how I had not experienced the death of anyone I cared about and I was nearly 50 then.  I knew that would end, and it did as friends died from freak accidents (falling on ice in a church parking lot and having a bone fragment reach the bloodstream–RIP Ruth) to dying while sleeping and choking (RIP Earl), to the death of my godmother from heart disease, my mother from dementia from a terrible head injury to my father to a stroke he suffered while we were on the phone–and so on.

All of this emotional and body memory is being resurfaced by the death of my only sister last week.  I remember grief, what it feels like (shock, anger, grief, disbelief, pain), what it tastes like (tears), what it sounds like (choking, crying, silence). And then the permanence, the inability to touch the loved one anymore.

I wrote a lot of poetry about grief before then because of childhood losses that did not involve death, during this time, and afterwards, for my sister was diagnosed with terminal illnesses, one after the other after the other.  She lived an amazing 15 years after the first terminal diagnosis–truly amazing.

But I rarely wrote directly about the one who died, except for about my best friend Susan who died young, before age 40, from colon cancer.  We were such close friends I was shattered.  When someone told me I should get over it, I snapped and wrote a very harsh poem titled NOTOVERIT, full of profanities.

You may have heard that writers used everything in their life to write, and that is true of me, but not in a direct fashion. I write sideways poems.

Sideways?  I usually wrote about the death of a spouse or a divorce, telling my dear husband it was how I could deal with the grief, to write about it sideways, obliquely.  Since we are still married, he just gave a puzzled look.  But it helped me to write about grief in a way others could understand without battering me further.

This poem, “Where You are Not,” was written to explore the empty feeling of not being able to touch, to feel, to see the loved one anymore. I am blessed to have my spouse with me in my daily life, but grief is grief I think, and while I could not yet write about the many others since they came too close together, I could fictionalize my losses and take poetic license.

I really appreciate Esthetic Apostle for publishing this poem in their June 2019 issue.

where you are not poetry at esthetic apostle June 2019

 

 

Publications

pexels-photo-997721 Publications, Laura Lee

Some of my poems, short stories, and nonfiction articles are included online and in print books and magazines published in the UK, Greece, India, New Zealand, and the United States. Many thanks to the staff at these publications. 

“The Three Month Sentence,” a poem, in Esthetic Apostle, 2019.

“Red Halo,” a poem, in Prometheus Dreaming, 2019.

“Devastation,” a poem, 2019, in Headline Poetry.

“Havishammed +1,” a poem, 2019, online and in print edition available through amazon.com and at High Shelf Press.

“Where You Are Not,” a poem, June 2019, Esthetic Apostle, here.

“Swamp Pearls,” a poem, May 2019, in Prometheus Dreaming, here.

“Not Sleep,” a poem, in Cagibi: A Literary Space, 2019, here: Cagibi.

“The Professor and the Gravel,” (2019), a poem, in Wingless Dreamer.

“Saltwater Faces,” an ekphrastic poem inspired by paintings at the Art Institute of Chicago, High Shelf Press, 2018, here.

“Click,” “The Night is our First Language,” and “They Left the Bed,” poetry published in The Poetic Bond VIII print issue, 2018. Available at Poetic Bond VIII.

“Moving Gravel” a short story at Crack the Spine – Themed Anthology Submissions, “Routine”, print edition, 2018. Available at Crack the Spine Anthology.

“Walk with Child,” a poem, in Snapdragon Journal, 2018, “Here and Gone” theme, here.

Coffin Bell Journal,2018, “Herstory,” a poem, 2018,here.

Spillwords Press, “Stopped,” a poem, 2018, here. 

Tuck Magazine, June 2018, “Teach to Kill” http://tuckmagazine.com/2018/06/06/poetry-1528/.

Tuck Magazine,  May 2018, “Refuge,” http://tuckmagazine.com/2018/05/29/poetry-1511/.

 Southernmost Point Guest House (UK), poetry.

Journal of Modern Poetry 21 (Volume 21), “Hell, No,” a poem at JOMP Volume 21 Dear Mr. President.

Journal of Modern Poetry 20 (Volume 20), “Moonlit Awakening,” JOMP Volume 20 Poetry Writer’s Guide to the Galaxy.

Journal of Modern Poetry 18 (Volume 18), The Official Poets Guide to Peace, two poems: “Open” and “After Poetry Class.” 2015. Purchase here.

Journal of Modern Poetry 17 (Volume 17), JOMP Volume 17. 

Cram Volume 12: “White Board Clown,” 2011. Chicago Poetry Press 2011.

Magazine (New Zealand) , Raewyn Alexander, Publisher, nonfiction and poetry.  Raewyn Alexander NZ.

Fiction in: http://staxtes.com/2003/ “Between the Sunlight and the Skipping” in English Wednesdays

Poetry in: https://poetsagainstthewar.org/ archives.

Illinois English Bulletin, a publication of the National Council of Teachers of English, nonfiction article about teaching in an alternative education program.

 Poetry in Marginalia, Elmhurst, IL.