A Pandemic, Privilege, Poetry (More or Less)

Recipe for constriction:

Twenty years of complicated trauma plus four years of being stalked by a violent “friend” taught about being hyper vigilant–for more than six decades. Have her injured and retired much earlier than planned, and just beginning to find her way during this retirement. Have her proud for not overreacting for news of a novel virus; no, this time she will not stock up or freak out. It’s on the other side of the world, right? Right? Add grief for a lost sister and a state of shock about her new reality.

Add the pandemic.

Click. Knowing she is privileged. Knowing how many are suffering physically and emotionally. Guilt over privilege. I know, she will give up something she loves, make a sacrifice. Bye bye, poetry. She will volunteer more and more, to help others. She finds students who need help and mails lessons, materials, makes phone calls. Tutors.

Click. Husband forced retired early due to pandemic. Lucky, lucky they are and they know it. Able to do this, rather than face the pandemic daily, face first, face to face.

Click. His former employer is no longer paying him since he doesn’t work there anymore. He’s having to deal with sudden retirement.

And they are lucky, and they know it. Yet it is scary to have to be so worried about money once again, after five decades of working hard to get out of debt and be sufficient.

It is, however, a recipe for constriction, a recipe to kill poetry. It is a recipe for clenched jaws that make her jaw muscles so strong, they could snap wire. CLICK, CLICK, CLICK.

See, see what happens that one time you decide not to be hyper vigilant, not to worry and stock up.

The days are okay, for there is sunlight and she forces herself to take nature walks, one thing not denied. It’s healthy to walk. Stay away from others on the path, wear a mask.

But the nights close in and find nightmares returning, ruminations, constrictions. Worries. More rumination. This is not what she had planned for retirement. She knows how lucky she is. She misses people more than she can say. She likes people. She misses her sister. She is with grief and night, grief for the pandemic, for the loss of her sister, for the “so that was my career” thoughts. She uses carbs to calm herself. All the carbs.

I knew somehow this would happen, she thinks. I am getting older by the day. I’ll never be able to enjoy retirement. I miss work. I miss teaching. I am living a meaningless life right now, helping no one and doing nothing, she thinks, even while knowing she would never judge another this harshly.

She walks more during the day, even on the days when the windchill is dangerous. She only stops on the days when the house door is frozen shut. Not trusting the gym during an airborne virus pandemic, she walks the halls at night and frets.

Be hyper vigilant. There is a killer novel virus. Stay away from others. Wash those hands very often. Be hyper vigilant. You should have been hyper vigilant. See? Told you so.

Twenty years of complicated trauma plus four years of being stalked by a violent “friend” taught about being hyper vigilant. For more than six decades. Did you suddenly forget important life lessons?

Before the pandemic, she was writing a lot of poetry and publishing; after the pandemic, the constriction, the clenched jaws and the nightmares prohibit poetry.

More or less. Things are opening up now. She is trying not to over react to words such as variant. She is trying to relax enough to read poetry. She is trying to write again, to write poetry. She has found nature classes online bring joy and looking up and looking down while walking in the woods shows her the unimaginable beauties she never saw before in her work, work, work, work days.

She thinks about a pandemic, privilege, and poetry. She knows deeply how lucky she has been. She knows that her mind and body didn’t seem to care, that she reacted at a primitive level of survival. She knows she should be more relaxed and joyful as the new pandemic rules ease up, as people are able to socialize again, get out more again. She knows it is much safer now than fifteen months ago. She knows it’s her rotten trauma responses keeping her on the edge, hyper vigilant, getting her mind full of stinking thinking. She knows how much she misses her career, teaching, and misses people. She knows she should lighten up.

More or less.

(Image from the Creative Commons)

“Not Sleep” Published in Cagibi, a Literary Place

Since my sister died last month, I’ve been re-experiencing grief in different ways than when grief last visited.  Before, I was filled with sadness.  Now, I am experiencing sadness, but also regret and dread.  I think of what a cliche comparing depression to having a black cloud hanging over your head, but that image is strong with me now.

I am older now than when the others died so quickly, one after another after another, 15 years older.  And my sister and I had a complicated relationship. We were estranged for some years, as is common in families where the abusive parent tries to keep the siblings apart by telling lies about each other and sewing discord.  Nevertheless, my sister and I found ourselves to become much loved dear friends for most of our lives.  We were such different people, but we shared a long history of trauma and grief, but also humor, laughing, and a love of nature.  After my sister had her children, who are now in their 40s, we became dear friends.

Fifteen years ago I wrote more poetry than ever, as I converted grief into words.  I wrote about divorce, break ups,winter, sicknesses, illnesses, aging.  I had to warn my husband that divorce was code for grief, as I could not write about death then.

It was a time of great creativity, and looking back, I can feel that grief again–a purer type of grief, perhaps, since those lost then were never other than positive in my life, family and friends who shared only positive emotions in my life.

One of the poems I started writing back then, “Not Sleep,” I finished much later and have recently had published in Cagibi, a Literary Place.

NOT SLEEP PUBLISHED IN CAGIBI

 

I do like this poem, and could only write it many months after the death of my mother.  I could return to it then only years later.

I wonder how my sister’s death will affect my poetry writing.  I would give up writing poetry forever if I could have her alive again and healthy and happy, but that cannot happen.  Writing about her would be very difficult, for we had a complicated relationship.

I felt sorry for her.  I pitied her sometimes.  I had great sympathy for her suffering.  I loved her, and felt I understood many of the seemingly unfathomable things she did to drive others away.  I wasn’t married to her, was not raised by her–we had the relationship of peers who reacted to our shared traumas in very different ways.  I found her very brave.

I am still too raw to talk much about her or write much about her, since she has only been gone a month.  We are entering winter weather already here and it’s dark so much of the day.  All these, blended with a recent injury and job change have me a bit bewildered at times and needing to step back, check my thinking, and affirm this: although I sometimes feel great dread lately, that does not make things dreadful.  I need to question my automatic feelings and force myself to perceive, love, enjoy the many beauties in life.

My husband asked me the other day if I am feeling mortal; yes, I told him, that’s a great way to put it. No matter what, my sister is still dead.  No matter how many times I pick up the phone to call her, she’s still dead.  No matter how many times I think I want to tell her something, she is still dead.   No matter how many times I think of something that could have made her last months better, she is still dead.  No matter how angry or sad, outraged or fearful, she is still dead. No matter how much regret I feel for things I should have done or should have done differently with my sister, she is still dead.

Mortal, yes.  Feeling very mortal, which has also prompted me to clean closets, read books, write poetry again, sign up for a class.  If I feel I need to turn on ALL of the lights at home, I do so.  If I want pumpkin pancakes, I get them.  I am pushing myself to exercise more, for I know good health is so important to loving life.  I am resisting the urge to get another job, because I have recognized that long term, this gift of time off is a precious gift.

What will I do with my life?  It’s exciting yet scary to imagine! Sometimes I envision myself staying in bed, jaws clenched, covers pulled over my head, in some dramatic made for TV movie of the week about death and depression.  Other times I think–April will come again, chorus frogs will return, I’ll get that storage room cleaned out, I’ll read another great novel, I will make new friends and develop new skills and wonder.

*   *   *

 

Thanks for reading.  Interesting how I can be succinct when writing poetry, such as “Not Sleep,” while I am so wordy with prose.

“Three Month Sentence” to be Published Tomorrow in The Esthetic Apostle

Capture I am pleased that my poem, “The Three Month Sentence,” will be published in The Esthetic Apostle tomorrow.  I will post the link to the published poem after that day.

But for now, these are some of the words from the poem; I do need to let the journal publish the complete poem first.  But…

We had not wrapped nights
in tender sighs under stars.
Our nights
were wasted in worry.

Thank you for reading.

Laura

“The Three Month Sentence” to be Published in Esthetic Apostle

On a day I lost my sister, I received an acceptance of a poem about grief. I will miss my sister more than I can say; we were close in age, spoke most days, and saw each other a lot.

We laughed, we argued, we accused each other of being stubborn.  But always, we loved each other and shared decades together.

The poem, “The Three Month Sentence,” will be published in The Esthetic Apostle on October 13th.  I will post the link to the poem after that day.

But for now, these are some of the words from the poem; I do need to let the journal publish the complete poem first.  But…

We had not wrapped nights
in tender sighs under stars.
Our nights
were wasted in worry.

 

This was a poem written during another time of grief.

Thank you for reading.

Laura

“The Night is Our First Language” Published

This is a poem inspired by a poetry reading by Li-Young Lee in Chicago.  When I heard  Lee read, I immediately wrote this poem on my train ride back home.  During the reading, the audience was stunned silent.   We listened intently and even stopped fanning ourselves on a desperately hot summer afternoon.

Lee is not active on social media, and that’s okay–he is probably busy writing more poetry!

The poem’s title came from something Lee said toward the end of his reading, that “the night is our first language.”  That stuck with me.

My poem is published here: Willowdown Books, The Poetic Bond VIII.

And here is the poem:

The Night is Our First Language
(after Li-Young Lee’s poetry reading)

Chicago, hot afternoon
packed reading room.
We wait as sweat drips down
faces, onto blouses, shirts–
unpoetic bodily functions.

A slight man, black ponytail,
black boots, turtleneck, blazer,
dark round rim glasses,
shuffles papers at the podium,
asks quietly:  Is the microphone on?
Thank you for coming. I will
read from new poems,
these are not finished.
It takes me so long to write
in English, not my first language.

Can you hear me know?

We sat forward
nodding, yes, yes,
we can hear you, we are listening,

His voice soft but clear
a slow low bell
of three countries
as he read a love poem to his sister,
who at eight
held the family keys and
held the duty
to keep the family together
while Mother
waited at the prison daily,
hoping for a glimpse of Father,
and he remembered sister’s screams
when father was beaten while arrested.

Sister, I will not tell your secrets.

He looked up, startled
that we were there,
as he went on to
talk of his mouth, not
suited for certain sounds,
of a river of escape,
so swollen with dead bodies
their boat could not move.

Finished, quietly, the poet
started away from the podium
as we sat in stunned silence,
a room packed, doubly packed,
while he said in parting,

The night is our first language.

 

From: https://www.poetryfoundation.org/poets/li-young-lee

Li-Young Lee was born in Djakarta, Indonesia in 1957 to Chinese political exiles. Both of Lee’s parents came from powerful Chinese families: Lee’s great grandfather was the first president of the Republic of China, and Lee’s father had been the personal physician to Mao Zedong. In Indonesia, Dr. Lee helped found Gamaliel University. Anti-Chinese sentiment began to foment in Indonesia, however, and Lee’s father was arrested and held as a political prisoner for a year.

 

Thank you for reading.

Laura

“Red Halo” Published Today in Prometheus Dreaming

prometheus dreaming journal cover page  Published here: “Red Halo” in Prometheus Dreaming.

I am thrilled to have a  poem published in a dream journal, Prometheus Dreaming. The editor treats writers and their work so well and the work is presented beautifully. As I sent a poem I truly love and was very close/ personal to me.

Thanks for reading!

Laura

 

 

Red Halo

by Laura Lee

I did not want to find you
by the mud flats
where things live that
I always want to see:
heron, fox, cardinal, hawk.

But the sun broke shadows
wildflowers bloomed late this year
brown eyed susans, sunflowers
unnamed purple velvet.

I did not want to find you
standing across the river
staring west into a sunset
you’d hoped would take you, too.

I do not know
how the red halo encircled
my pale face, peeked through
the weeds and the dirt.

About the Author

Laura Lee is a Chicago area poet, college instructor, literacy tutor, and writer. Her poetry, fiction, and nonfiction have been published in print and online journals in the US, the UK, New Zealand, India, and Greece.

For a complete list of publications, visit her website at: http://lauraleewriterpoeteducator.com.

Follow Laura Lee on Twitter at: https://twitter.com/LauraLe97942016.


 

“Click,” a Poem, Published at Willowdown Books, Poetic Bond VIII

click  Willowdown Books published “Click,” in their Poetic Bond VIII print issue last year here: “Click” in Poetic Bond VIII. .

This was a fun collaboration between the editor and me.  I submitted the poem and the editor liked it, but felt the second stanza should be numbered and have a title.

I had originally written this as a short story, then a poem, then a short story introduced by a poem.  How it ended up is quite different, although I do have a poem “left over” and a complete short story as well, both needing a home. I wrote the short story, “Click,” during a writing workshop a few years ago and it was probably one of the best short stories I have ever written.

I do like the resulting poem! All are my words, but some of the words were moved around and we did add the numbered and titled second stanzas.

Thanks for reading!

Laura

 

 

“Not Sleep,” a Poem, Published in Cagibi Literary Journal

My poem, “Not Sleep,” was published in Cagibi, a Literary Space last summer.  I didn’t realize, since I am rather new to publishing, that I could promote published works. So I am now.

I should try writing a happy or humorous poem, perhaps.  I am a joyful person often, but write to help understand life and especially losses.  So I don’t write that many happy poems. I do write humor fiction and nonfiction, however.

As to this poem, I wanted to honor and show respect for long term relationships. I hope I have done so here.

Thanks for reading!

Laura

 

NOT SLEEP

A face in the window
listening to the high pitch of crickets,
low tones of frogs.
Fireflies blink and I think
I should sleep
but Venus has risen
and the silence of navy skies calls.

I hear your deep cough
know you have
put pillow to mouth.
I check forehead
bring cool cloths and water.
You kiss my hand
tell me you are fine, tell me
go back to the night.

I stay
awake, alone
listening.

Hours later
delight at the open window:
robins’ morning song.

You arise, sit next to me
try to stop shivering
as we remember winter
when this window was ice-locked.

Listen,
you whisper between coughs,
It’s lovely.

We wait together
to start our day,
tiptoe breathing.

Laura Lee is a Chicago area poet, college student mentor and instructor, literacy tutor, and writer. Her poetry, fiction, and nonfiction have been published in print and online journals in the US, the UK, New Zealand, Greece, and India. Literacy in all its forms is her passion. For a complete list of publications, visit her website at: http://lauraleewriterpoeteducator.com. Follow Laura Lee on Twitter @LauraLe97942016.

“They Left the Bed” Published at Willowdown Books, Poetic Bond VIII

This poem was inspired by a photo in an ekphrastic poetry contest.  While I did not win the contest, I thought it was a good poem so submitted elsewhere.    You should have see the photo!  Desolate, reminiscent of something vaguely wartime.

 

Willowdown Books published the poem in Volume VIII, Poetic Bond late in 2018.   As rights have reverted to me, I post it here just because.

 

Thanks for reading!

Laura

They Left the Bed

They left the bed, he said
As I was thinking the same.
And wonderful
TV, one chair,
a painting.

Sometimes
we made up names
for each other
on cold nights on strange floors
but knew better than to know.

What’s that on the bed, he said?
And we were afraid to look
blood spatters or bone dust
police matters or lone lust
we’d seen it all by then.

I’ll take the floor, he said.
I wish I hadn’t seen the bed.
Moved closer to the painting:
A Renoir? I know I knew
In another life.

Not romantic enough,
he said,
a Monet is my guess
but the colors are all off.

The colors are all off
cold nights on strange floors
blood spatters or bone dust
police matters or lone lust
we’d seen it all by then.