Posted on by Laura Lee

Do you have the top poem? Rattle’s yearly poetry prize information

prize  I certainly do not (as yet!), but perhaps you have the winning poem you could submit here: Rattle Poetry Prize.

Rattle publishes find modern poetry, and has many chances for poets to submit with no reading fee.  This major poetry prize is their chance to highlight one outstanding poem and poet, while also helping to fund the Rattle Magazine and all of its other awards, publications, and prizes.

I’m a better teacher than poet, so I don’t mind saying, it’s not me going to win something like this. But perhaps it could be you.

Rattle writes:

The annual Rattle Poetry Prize offers $10,000 for a single poem to be published in the winter issue of the magazine. Ten finalists will also receive $200 each and publication, and be eligible for the $2,000 Readers’ Choice Award, to be selected by subscriber and entrant vote.

Additional poems from the entries are frequently offered publication as well. In 2017 we published 20 poems that had been submitted to the contest from just over 4,000 entries.

Go on, check it out.  Fine poetry and many opportunities to publish there: on their several Facebook pages, in their online magazine, and in print.

Or this–perhaps your competitive nature comes out from time to time.  If so, it may be worth the submission fee.

Good luck, and thanks for reading.

Posted on by Laura Lee

Twin Cinema Poetic Form

whitman-2033-5e85a780991cf80bddfa412174d63cf9@1x       Rattle Literary Journal

published a winning poem today, “DRPK   US” written in a Twin Cinema poetic form.  While I have read poems before that can be read horizontally or vertically, I’ve not seen such a structuring before nor seen a label for this form.

In The Straits Times, writer Olivia Ho writes that a Twin Cinema poem is:

It is a poem written in two columns. Sometimes, the columns are meant to be read individually, running line by line in counterpoint.

But I find it at its most compelling when the poet achieves not just two, but three ways of reading it, not just top to bottom, but also across, a poem at once broken and unbroken, reaching across the gaps to put a new twist on opposing meanings.

In a blog about Southeast Asian Poetic Forms (find it here: Southeast Asian Poetic Forms

notes that:

In its original form as developed by Yeow Kai Chai, the twin cinema consisted of two discrete columns of poetry. The columns were separate and did not read as a coherent line across both columns. Each individual line of a column contained imagery that could correlate or contrast to the opposing line of the other column.

I love this playing with both the oral aspects of poetry and the physical/ white space aspects.

I’ve written specular poems, or sometimes called mirror poems that read as poems from the first to the last line and then from the last to the first line.  That was tricky and worthwhile; both versions of the poem need to make grammatical, syntactical, and poetic sense.

What verse forms have you tried? What’s your favorite?

Thanks for reading.

Laura Lee

Posted on by Laura Lee

Of Coyotes, Babies, Macduff, and Strangers. (Five poems Submitted Tonight)

coyote    I submitted five persona poems to a favorite journal tonight, written in the voices of five distinct others: a coyote, a baby, Macduff from Macbeth, Simon from Lord of the Flies, and two strangers. It was fun to find and edit the poems, as well as working on a few others I just could not include at this time.

I love writing persona poems; I am both a a daughter of storytellers and a current poet, and persona poems combine poetry and stories.  It’s tricky for me to write in a persona not female, not human, not me at all, but I love to try doing this.

Now I wait many months to find out if any of these poems will be published.  In the meantime, I know I will be writing more persona poems, since I am taking a writing class this summer.

What’s the most interesting voice you have written in?

Posted on by Laura Lee

On sharing poetry and losing ownership of your poems

SMALL HEART BOOKS POETRY        I write mostly poetry, although this blog has gotten me to write more nonfiction.  That’s a good thing.  I do share many poems in their rough draft stages on my Facebook page, but I have a closed site and limit the views even there.  However, I don’t post my poetry here on my website/ blog just yet.

Why? I’ve submitted poetry many places, and editors/ publishers don’t want work that has been “published” elsewhere usually.  Mind you, only a few people are “reading” the poems there at all, but some will even claim a closed locked down Facebook site means
you’ve published your poem.

We poets are not writing Pulitzer Prize winning novels and posting them on Facebook!  It seems a bit silly and excessive to me to not be able to share and get my close friends’ critiques; however, with the poetry publication market as competitive as it is, I don’t want to ruin any chances I might have of publishing.

I admit to liking an audience for my writing.  Is that shallow? Probably.

Two good sites that are open to accepting poetry already posted on social media and personal blog posts and two I greatly respect are Rattle Magazine and Tuck Magazine.  (Links here: Rattle Magazine and Tuck Magazine.)

In fact, Tuck Magazine just published a poem I’d placed here; they simply asked me to take it down for three weeks and to link to them.  Sounds fair! Their goal is to INCREASE readership of writing about social issues.  I posted this poem here on the first day I created this blog, and now it is published here: Refuge Laura Lee Poem in Tuck Magazine.

Rattle Magazine is a top notch magazine of modern poetry, and its poems knock me out.  I can only dream of being published there.(I need to read and write more! Much more. I come away renewed with the power of poetry when I read their published poetry!)

Yet they don’t consider social media published for the sake of accepting work for competitions and possible publication.

Having said all that, I admit I am not a great poet.  I can write good poetry of a particular style, narrative poetry and dramatic monologues, the latter of which is out of style.  I have sometimes written good lyrical poetry.  I am not an academic but a caring reader and writer, so to me it’s okay I’m not making a living as a poet.

As if. DECADES ago I did research and found that only 9 people in American admit to making their living as a poet. NINE out of what–1/3 of a billion Americans?

So I continue to read and write. I should spend more time reading and writing, and now that I am a part-time worker, I will.

I’m fighting the impulse to return to full time work; I don’t want that heavy workload anymore.  Been there.  Done that! For DECADES.

So here’s to the talented poets and fiction writers and nonfiction writers–I admire you! I’m looking for more great writers to read, new or old writers, poet or fiction, for good literature really inspires me.

And I’ve only got so many poems in me–I don’t want to lose the right to publish them unless they are actually PUBLISHED elsewhere. I send out the ones I can stand to lose!  Since poetry doesn’t pay, I have many poems I just don’t want to lose.  I know. As if!

Keep reading and writing!

If you have any writers you would recommend or novels, I’d love to hear about them!

Laura Lee