My third visit. With deep respect and love for his art, Charles White. His retrospective leaves the Art Institute of Chicago soon. Go see it !
Some of my poems, short stories, and nonfiction articles are included in books and magazines published in the UK, Greece, New Zealand, and the United States.
*Coffin Bell Journal,2018
“Herstory,” a poem, to be published October 1, 2018
*Spillwords Press, 2018
Stopped by Laura Lee at Spillwords Press
*Tuck Magazine, June 2018
*Tuck Magazine, May 2018
* Journal of Modern Poetry 21 (Volume 21)
JOMP Volume 21 Dear Mr. President
* Journal of Modern Poetry 20 (Volume 20)
JOMP Volume 20 Poetry Writer’s Guide to the Galaxy
* Journal of Modern Poetry 17 (Volume 17)
JOMP Volume 17
* Magazine (New Zealand) , Raewyn Alexander, Publisher
Raewyn Alexander NZ
* Fiction in: http://staxtes.com/2003/
“Between the Sunlight and the Skipping” in English Wednesdays
*Poetry in: https://poetsagainstthewar.org/ Archives
* Illinois English Bulletin, a publication of the National Council of Teachers of English, nonfiction article about teaching in an alternative education program.
* Poetry in Marginalia, Elmhurst, IL
Many thanks to the great site Thoughtco.com for this interesting article.
As to this photo? Just one I took when in Chicago’s Loop– this is the famous THE BEAN sculpture. Just for fun!
Thanks for reading.
For decades, August has been my strongest “urge to poetry” month. Something about the light, the sounds, the smells–all is so REVVED UP. Poets, agree?
I used to be in vibrant online writing communities, and every August we would have a poetry challenge. We would write a poem a day, no editing allowed, just to “rev” up our creativity.
It was glorious.
We (I!) wrote a lot of bad poetry, but I am still finding some snippets of good poetry on old flash drives and in old posts.
Hmm…perhaps it is time to reinstate an AUGUST POETRY CHALLENGE?
It couldn’t be here, on a public blog, I fear, for that would preclude subsequent publication. Perhaps back on good old Facebook, with a private account only friends can access.
There’s an idea!
Readers, writers, what do you think?
Thanks for reading.
(Soldier, Charles White)
A Charles White retrospective is at the amazing Art Institute of Chicago right now through September third. The Art Institute, on its web page Charles White at the Art Institute of Chicago, states:
Charles White, born and educated in Chicago, was one of the preeminent artists to emerge during the city’s Black Renaissance of the 1930s and 1940s. A passionate mural and easel painter and superbly gifted draftsman, White powerfully interpreted African American history, culture, and lives in striking works that nevertheless have a more universal resonance
I’m not an artist, nor am I an art critic. But what comes to mind and to heart while viewing his works was all of this: dignity, pain, suffering, caring, compassion, strength. These are not art words, and I cannot speak about what White used to create such art. But I can speak to how White;s artwork affected me, a highly sensitive poet. I would like to find words deserving of the near reverence I felt in the presence of art that is not only great, but art from a great person. White felt people were basically good and his works are imbued with love and respect as well as with a painful knowledge of social injustice, racism, poverty, separation, loss.
I almost feel I should step back, use few words, and just show the photos, simple photos taken by my little phone camera. You can see I am not a professional or even a good photographer, but I believe you can sense the greatness of White’s art work even from my phone photos.
If you can get to the Art Institute of Chicago, I would highly recommend seeing this retrospective. I will go again, and perhaps find some words. If you cannot get to the AIC, look here for insights and images: http://www.artic.edu/exhibition/charles-white-retrospective.
White’s creative compassion stays with me.
Charles White, a retrospective, now at the AIC through September 3rd.
No Tokens Journal declares it is “…a journal celebrating work that is felt in the spine” and it can be found here, at No Tokens Journal.
Reading that reminds me of what Emily Dickinson wrote about poetry, that “If I read a book and it makes my whole body so cold no fire could ever warm me, I know that is poetry.” (http://notable-quotes.com/d/dickinson_emily.html).
No Tokens publishes a print/ bound volume as well as an online journal, making it doubly interesting, in my opinion. They publish fiction, nonfiction, poetry, art, and “other,” which could include include plays, comics, graphic novels, interviews, etc.
The journal’s passion for great writing is evident, right down to when they declare they will ask for NO TOKENS (no submission fees) while they promise to be a journal:
“…featuring the words and artwork of all voices of the past, present, and future.”
I love this passion for words, stories, voices.
I think I will give them a try.
Thanks for reading!
What a pleasure to find an old rough draft of a poem on an old flash drive. I was looking for a document when I found this, simply titled: “Work on this poem.”
So I will work on this poem. I’m not sure about the rhetorical questions or who the “you” in the poem is, but I like a bit of mystery.
It starts like this…
wrap blistered feet.
Earthbound, I walk
How would I drive?
Bridges stop around curves,
hidden in the fog or dust
a glimpse of surprised faces
into the wide river of our poetry.
Where could I drive?
Then it goes on, but I won’t post more since I want to revise and rework to submit.
Thanks for reading.
I write mostly poetry, although I am writing more nonfiction since I started this blog about six weeks ago. I do share many poems in their rough draft stages on my Facebook page, but I have a closed site and limit the views even there. However, I don’t post my poetry here on my website/ blog just yet.
Why? I’ve submitted poetry many places, and editors/ publishers don’t want work that has been “published” elsewhere usually. Mind you, only a few people are “reading” the poems there at all, but some will even claim a closed locked down Facebook site means
you’ve published your poem.
We poets are not writing Pulitzer Prize winning novels and posting them on Facebook! It seems a bit silly and excessive to me to not be able to share and get my close friends’ critiques; however, with the poetry publication market as competitive as it is, I don’t want to ruin any chances I might have of publishing.
I admit to liking an audience for my writing. Is that shallow? Probably.
I can write good poetry of a particular style, narrative poetry and dramatic monologues, the latter of which is out of style. I have sometimes written good lyrical poetry. I am not an academic but a caring reader and writer, so to me it’s okay I’m not making a living as a poet.
As if. DECADES ago I did research and found that only 9 people in American admit to making their living as a poet. NINE out of what–1/3 of a billion Americans?
I’ve only got so many poems in me–I don’t want to lose the right to publish them unless they are actually PUBLISHED elsewhere. I send out the ones I can stand to lose! Since poetry doesn’t pay, I have many poems I just don’t want to lose. I know. As if!
It’s a labor of love, poetry writing and poetry reading. At least for me it is.
Thanks for reading.
**Update: I am having a poem, “Stopped,”published here July 19th.
Spillwords.com is a publisher of fiction, poetry, and original artwork, as well as a re-publisher of “literary greats” that are now in the public domain. This publisher’s goal is to create a:
…home for all that live and breathe words, spilled or inspired, through literature of every genre, from writers and poets of every walk of life.
The team of editors will work, they state, to ensure “…work is presented responsibly.”
The writers I saw published there come from all over the globe, and there is a special part of the site dedicated to publishing in Spanish. The other writers, from all over the world, are published in English.
I am pretty sure the publisher is actually in Poland; I checked and the mail address in there, in Poland.
It’s great to find new (to me!) places to submit work, and to read poetry and fiction from all over.
Thanks for reading!
Perhaps my skepticism about poetry being ALIVE was too skeptical? I am finding many fine literary magazines and communities, online and in paper, if I just take the time to look about a bit. What’s different for me, however, is how many of the publications are online only or mainly online. For an oldster like me who loves to learn and use technology, that’s fine. I am just happy that literacy in all its forms appears to be thriving.
One publication I just found is Ink & Voices, which can be found here: Ink & Voices.
Ink and Voices acknowledges that the internet is full of places to share writing and art, but states they are different in that:
Ink & Voices is an online publication and community for artists and writers. We are all about original and unapologetic voices, and providing a space for you to express your originality and humanness. We love pieces that are honest, raw and original.
This publication has three main sections, one for Mind, one for Body, and one for Soul. Yes, they are brave enough to use those terms in this sometimes snide and toocooltoshowemotions society. I found mainly fiction and artwork there, but liked what I saw and liked what I read. Perhaps I just couldn’t find the poetry, but I did look. Nevertheless, Ink and Voices is accepting submissions or writing and art and has a separate category for poetry, all through Submittable.com. The positive aspects here are that your work is read or viewed “blind,” and judged on its merit rather than your bio or name, or lack of a name in publishing.
I didn’t see a May or June issue, but they are still accepting submissions on a no deadline basis through Submittable.com, meaning they are paying to keep submission coming in.
I am going to investigate this new site more and consider submitting some poetry. I know I’ll be viewing the artwork there.
If you create “honest, raw, and original” artwork, including written work, why not give Ink and Voices a view? I personally like to support new literary ventures as well as the more-established ones.
Thanks for reading!