“The Night is Our First Language” Published

This is a poem inspired by a poetry reading by Li-Young Lee in Chicago.  When I heard  Lee read, I immediately wrote this poem on my train ride back home.  During the reading, the audience was stunned silent.   We listened intently and even stopped fanning ourselves on a desperately hot summer afternoon.

Lee is not active on social media, and that’s okay–he is probably busy writing more poetry!

The poem’s title came from something Lee said toward the end of his reading, that “the night is our first language.”  That stuck with me.

My poem is published here: Willowdown Books, The Poetic Bond VIII.

And here is the poem:

The Night is Our First Language
(after Li-Young Lee’s poetry reading)

Chicago, hot afternoon
packed reading room.
We wait as sweat drips down
faces, onto blouses, shirts–
unpoetic bodily functions.

A slight man, black ponytail,
black boots, turtleneck, blazer,
dark round rim glasses,
shuffles papers at the podium,
asks quietly:  Is the microphone on?
Thank you for coming. I will
read from new poems,
these are not finished.
It takes me so long to write
in English, not my first language.

Can you hear me know?

We sat forward
nodding, yes, yes,
we can hear you, we are listening,

His voice soft but clear
a slow low bell
of three countries
as he read a love poem to his sister,
who at eight
held the family keys and
held the duty
to keep the family together
while Mother
waited at the prison daily,
hoping for a glimpse of Father,
and he remembered sister’s screams
when father was beaten while arrested.

Sister, I will not tell your secrets.

He looked up, startled
that we were there,
as he went on to
talk of his mouth, not
suited for certain sounds,
of a river of escape,
so swollen with dead bodies
their boat could not move.

Finished, quietly, the poet
started away from the podium
as we sat in stunned silence,
a room packed, doubly packed,
while he said in parting,

The night is our first language.

 

From: https://www.poetryfoundation.org/poets/li-young-lee

Li-Young Lee was born in Djakarta, Indonesia in 1957 to Chinese political exiles. Both of Lee’s parents came from powerful Chinese families: Lee’s great grandfather was the first president of the Republic of China, and Lee’s father had been the personal physician to Mao Zedong. In Indonesia, Dr. Lee helped found Gamaliel University. Anti-Chinese sentiment began to foment in Indonesia, however, and Lee’s father was arrested and held as a political prisoner for a year.

 

Thank you for reading.

Laura

“Click,” a Poem, Published at Willowdown Books, Poetic Bond VIII

click  Willowdown Books published “Click,” in their Poetic Bond VIII print issue last year here: “Click” in Poetic Bond VIII. .

This was a fun collaboration between the editor and me.  I submitted the poem and the editor liked it, but felt the second stanza should be numbered and have a title.

I had originally written this as a short story, then a poem, then a short story introduced by a poem.  How it ended up is quite different, although I do have a poem “left over” and a complete short story as well, both needing a home. I wrote the short story, “Click,” during a writing workshop a few years ago and it was probably one of the best short stories I have ever written.

I do like the resulting poem! All are my words, but some of the words were moved around and we did add the numbered and titled second stanzas.

Thanks for reading!

Laura

 

 

“They Left the Bed” Published at Willowdown Books, Poetic Bond VIII

This poem was inspired by a photo in an ekphrastic poetry contest.  While I did not win the contest, I thought it was a good poem so submitted elsewhere.    You should have see the photo!  Desolate, reminiscent of something vaguely wartime.

 

Willowdown Books published the poem in Volume VIII, Poetic Bond late in 2018.   As rights have reverted to me, I post it here just because.

 

Thanks for reading!

Laura

They Left the Bed

They left the bed, he said
As I was thinking the same.
And wonderful
TV, one chair,
a painting.

Sometimes
we made up names
for each other
on cold nights on strange floors
but knew better than to know.

What’s that on the bed, he said?
And we were afraid to look
blood spatters or bone dust
police matters or lone lust
we’d seen it all by then.

I’ll take the floor, he said.
I wish I hadn’t seen the bed.
Moved closer to the painting:
A Renoir? I know I knew
In another life.

Not romantic enough,
he said,
a Monet is my guess
but the colors are all off.

The colors are all off
cold nights on strange floors
blood spatters or bone dust
police matters or lone lust
we’d seen it all by then.

Publications, Updated

pexels-photo-997721 Publications, Laura Lee

Some of my poems, short stories, and nonfiction articles are included online and in print books and magazines published in the UK, Greece, India, New Zealand, and the United States. Many thanks to the staff at these publications. 

“The Professor and the Gravel,” a poem, at Wingless Dreamer.

“Not Sleep,” a poem, in Cagibi: A Literary Space, forthcoming in April 2019 at Cagibi a Literary Space.

“Saltwater Faces,” an ekphrastic poem inspired by paintings at the Art Institute of Chicago, High Shelf Press, 2018, https://www.highshelfpress.com/saltwaterfaces.

“Click,” “The Night is our First Language,” and “They Left the Bed,” poetry published in The Poetic Bond VIII print issue, December 2018. Available at Poetic Bond VIII.

“Moving Gravel” a short story at Crack the Spine – Themed Anthology Submissions, “Routine”, print edition, 2018. Available at Crack the Spine Anthology.

“Walk with Child” at https://www.snapdragonjournal.com/  September 2018 Issue, “Here and Gone.” http://pub.lucidpress.com/9b90935e-82ec-4edd-a09e-725a9cf574b8/#Vu72fBijlewR

Coffin Bell Journal,2018, “Herstory,” October 2018. https://coffinbell.com/herstory-lesson/

Spillwords Press, “Stopped,” 2018, http://spillwords.com/stopped/.

Tuck Magazine, June 2018, “Teach to Kill” http://tuckmagazine.com/2018/06/06/poetry-1528/.

Tuck Magazine,  May 2018, “Refuge,” http://tuckmagazine.com/2018/05/29/poetry-1511/.

 Southernmost Point Guest House (UK), poetry.

Journal of Modern Poetry 21 (Volume 21), “Hell, No,” a poem at JOMP Volume 21 Dear Mr. President.

Journal of Modern Poetry 20 (Volume 20), “Moonlit Awakening,” JOMP Volume 20 Poetry Writer’s Guide to the Galaxy.

Journal of Modern Poetry 18 (Volume 18), The Official Poets Guide to Peace, two poems: “Open” and “After Poetry Class.” 2015. Purchase here.

Journal of Modern Poetry 17 (Volume 17), JOMP Volume 17. 

Cram Volume 12: “White Board Clown,” 2011. Chicago Poetry Press 2011.

Magazine (New Zealand) , Raewyn Alexander, Publisher, nonfiction and poetry.  Raewyn Alexander NZ.

Fiction in: http://staxtes.com/2003/ “Between the Sunlight and the Skipping” in English Wednesdays

Poetry in: https://poetsagainstthewar.org/ archives.

Illinois English Bulletin, a publication of the National Council of Teachers of English, nonfiction article about teaching in an alternative education program.

 Poetry in Marginalia, Elmhurst, IL.

 

Publications, Updated

9 wordle  Some of my poems, short stories, and nonfiction articles are included online and in print books and magazines published in the UK, Greece, New Zealand, and the United States.

“Saltwater Faces,” a poem, High Shelf Press, 2019.

“The Night is Our First Language,” poem, published in The Poetic Bond VIII print issue, November-December 2018.

“Click” and “They Left the Bed,” poetry published in The Poetic Bond VIII print issue, November-December 2018.

*”Moving Gravel” a short story at Crack the Spine – Themed Anthology Submissions – -“Routine”, print edition, 2018.

*”Walk With Child” at https://www.snapdragonjournal.com/  September 2018 Issue, “Here and Gone.”

*Coffin Bell Journal,2018, “Herstory,” a poem, published October  2018,https://coffinbell.com/herstory-lesson/

*Spillwords Press, 2018, a poem, “Stopped” by Laura Lee at Spillwords Press.

*Tuck Magazine, June 2018, a poem at Tuck Magazine.

*Tuck Magazine,  May 2018, a poem at Tuck Magazine.

* Southernmost Point Guest House (UK), poetry.

* Journal of Modern Poetry 21 (Volume 21), “Hell, No,” a poem at JOMP Volume 21 Dear Mr. President.

* Journal of Modern Poetry 20 (Volume 20), JOMP Volume 20 Poetry Writer’s Guide to the Galaxy.

* Journal of Modern Poetry 17 (Volume 17), JOMP Volume 17. 

* Magazine (New Zealand) , Raewyn Alexander, Publisher
Raewyn Alexander NZ

* Fiction in: http://staxtes.com/2003/
“Between the Sunlight and the Skipping” in English Wednesdays

*Poetry in: https://poetsagainstthewar.org/ Archives

* Illinois English Bulletin, a publication of the National Council of Teachers of English, nonfiction article about teaching in an alternative education program.

* Poetry in Marginalia, Elmhurst, IL

Publications, updated

9 wordle  Some of my poems, short stories, and nonfiction articles are included in books and magazines published in the UK, Greece, New Zealand, and the United States.

“The Night is Our First Language,” poem, published in The Poetic Bond VIII print issue, November-December 2018.

“Click” and “They Left the Bed,” poetry published in The Poetic Bond VIII print issue, November 2018.

*”Moving Gravel” a short story at Crack the Spine – Themed Anthology Submissions – -“Routine”, print edition, 2018.

*”Walk With Child” at https://www.snapdragonjournal.com/  September 2018 Issue, “Here and Gone.”

*Coffin Bell Journal,2018, “Herstory,” a poem, published October  2018,https://coffinbell.com/herstory-lesson/

*Spillwords Press, 2018, a poem, “Stopped” by Laura Lee at Spillwords Press.

*Tuck Magazine, June 2018, a poem at Tuck Magazine.

*Tuck Magazine,  May 2018, a poem at Tuck Magazine.

* Southernmost Point Guest House (UK), poetry.

* Journal of Modern Poetry 21 (Volume 21), “Hell, No,” a poem at JOMP Volume 21 Dear Mr. President.

* Journal of Modern Poetry 20 (Volume 20), JOMP Volume 20 Poetry Writer’s Guide to the Galaxy.

* Journal of Modern Poetry 17 (Volume 17), JOMP Volume 17. 

* Magazine (New Zealand) , Raewyn Alexander, Publisher
Raewyn Alexander NZ

* Fiction in: http://staxtes.com/2003/
“Between the Sunlight and the Skipping” in English Wednesdays

*Poetry in: https://poetsagainstthewar.org/ Archives

* Illinois English Bulletin, a publication of the National Council of Teachers of English, nonfiction article about teaching in an alternative education program.

* Poetry in Marginalia, Elmhurst, IL

“The Night is our First Language” (poem) to be published

Pleased to learn a poem I’ve really liked over the years, “The Night is Our First Language,” will be published (by Willowdown Books) in Poetic Bond VIII (UK) along with two others.

The third poem was not short listed as the others were, but fit the theme and tone overall, the editor stated. I’m pleased about this because it is a poem about the power of poetry–specifically the power of the Li Young Lee’s poetry to motivate me to write!

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Update on Submission: The Value & Power & Fun of Poetry–Submitted to Willowdown Books

dream courage harmony inspire rocks images Update: the work I submitted here is short-listed; the editors will determine the overall themes of the works they are interested in and then let us short-listed know if we will be published.  I was not familiar that as a writer I would ever be told this, so this is interesting.

As I find new (to me) literary journals, I am delighted to find the absolute joy of language and belief in the power of poetry to be prevalent.  The journals I am finding are truly labors of love, and the publishers and editors are publishing poetry because they love poetry, love language, and believe poetry is important.  What a pleasant change of pace from the local, national, and world news, which is portraying a country and world in hate-filled crisis after crisis!

For example, I just had to submit some poems to Willowdown Books out of the UK: Willowdown Books.

Willowdown is sponsoring “The Poetic Bond VIII,” a bound poetic journal in autumn; submissions are due by the end of the day tomorrow here: The Poetic Bond.

So what creates a “poetic” bond?  The publisher wants to create this bond by publishing poetry that is deeply connected with humanity, nature, and the universe.

You tell me, poets, if this isn’t the heart of poetry?  Deep connections.  Humanity. Nature. The universe.

Yes sirree.  Sure is for me.

Plus the play and delight of language.

Have a look at the “poetic bond” and Willowdown Books.

Oh! For submitting, we got to pick a book out, sort of a thank you for submitting.  This also shows support for the poets already published, so that’s a great idea.

Thanks for reading!