Publications,Updated

pexels-photo-997721 Publications, Laura Lee

Some of my poems, short stories, and nonfiction articles are included online and in print books and magazines published in the UK, Greece, India, New Zealand, and the United States. Many thanks to the staff at these publications. 

“The Three Month Sentence,” a poem, in The Esthetic Apostle , 2019.

“Red Halo,” a poem, in Prometheus Dreaming, 2019.

“Devastation,” a poem, 2019, in Headline Poetry.

“Havishammed +1,” a poem, 2019, online and in print edition available through amazon.com and at High Shelf Press.

“Where You Are Not,” a poem, June 2019, Esthetic Apostle, here.

“Swamp Pearls,” a poem, May 2019, in Prometheus Dreaming, here.

“Not Sleep,” a poem, in Cagibi: A Literary Space, 2019, here: Cagibi.

“The Professor and the Gravel,” (2019), a poem, in Wingless Dreamer.

“Saltwater Faces,” an ekphrastic poem inspired by paintings at the Art Institute of Chicago, High Shelf Press, 2018, here.

“Click,” “The Night is our First Language,” and “They Left the Bed,” poetry published in The Poetic Bond VIII print issue, 2018. Available at Poetic Bond VIII.

“Moving Gravel” a short story at Crack the Spine – Themed Anthology Submissions, “Routine”, print edition, 2018. Available at Crack the Spine Anthology.

“Walk with Child,” a poem, in Snapdragon Journal, 2018, “Here and Gone” theme, here.

Coffin Bell Journal,2018, “Herstory,” a poem, 2018,here.

Spillwords Press, “Stopped,” a poem, 2018, here. 

Tuck Magazine, June 2018, “Teach to Kill” http://tuckmagazine.com/2018/06/06/poetry-1528/.

Tuck Magazine,  May 2018, “Refuge,” http://tuckmagazine.com/2018/05/29/poetry-1511/.

 Southernmost Point Guest House (UK), poetry.

Journal of Modern Poetry 21 (Volume 21), “Hell, No,” a poem at JOMP Volume 21 Dear Mr. President.

Journal of Modern Poetry 20 (Volume 20), “Moonlit Awakening,” JOMP Volume 20 Poetry Writer’s Guide to the Galaxy.

Journal of Modern Poetry 18 (Volume 18), The Official Poets Guide to Peace, two poems: “Open” and “After Poetry Class.” 2015. Purchase here.

Journal of Modern Poetry 17 (Volume 17), JOMP Volume 17. 

Cram Volume 12: “White Board Clown,” 2011. Chicago Poetry Press 2011.

Magazine (New Zealand) , Raewyn Alexander, Publisher, nonfiction and poetry.  Raewyn Alexander NZ.

Fiction in: http://staxtes.com/2003/ “Between the Sunlight and the Skipping” in English Wednesdays

Poetry in: https://poetsagainstthewar.org/ archives.

Illinois English Bulletin, a publication of the National Council of Teachers of English, nonfiction article about teaching in an alternative education program.

 Poetry in Marginalia, Elmhurst, IL.

Rush Hot Now (rough draft)

Found from an old site, part of a 30 poems in 30 days challenge.  This is from ten years ago.

Just a few snippets from that time ten years ago, since I am submitting a revised/ edited full version for publication and don’t want to have this considered published.

#13 /List poemSummer Things I Forgot

i did not rush, hot, now.
i forgot how.

i forgot poetry would end
coffee at midnight, phone calls
in the middle of the night
would all end

i did not rush, hot, now.
i forgot how.

Selected Publications

 

pexels-photo-997721 Publications, Laura Lee

Some of my poems, short stories, and nonfiction articles are included online and in print books and magazines published in the UK, Greece, India, New Zealand, and the United States. Many thanks to the staff at these publications. 

“Devastation,” a poem, August 2019, in Headline Poetry.

“Havishammed +1,” a poem, August 2019, online and in print edition available through amazon.com and at High Shelf Press.

“Where You Are Not,” a poem, June 2019, Esthetic Apostle, here.

“Swamp Pearls,” a poem, May 2019, in Prometheus Dreaming, here.

“Not Sleep,” a poem, in Cagibi: A Literary Space, April 2019, here: Cagibi.

“The Professor and the Gravel,” a poem, 2019, at Wingless Dreamer.

“Saltwater Faces,” an ekphrastic poem inspired by paintings at the Art Institute of Chicago, High Shelf Press, 2018, here.

“Click,” “The Night is our First Language,” and “They Left the Bed,” poetry published in The Poetic Bond VIII print issue, December 2018. Available at Poetic Bond VIII.

“Moving Gravel” a short story at Crack the Spine – Themed Anthology Submissions, “Routine”, print edition, 2018. Available at Crack the Spine Anthology.

“Walk with Child,” a poem, in Snapdragon Journal, September 2018, “Here and Gone” theme, here.

Coffin Bell Journal,2018, “Herstory,” a poem, October 2018. here.

Spillwords Press, “Stopped,” a poem, 2018, here. 

Tuck Magazine, June 2018, “Teach to Kill” http://tuckmagazine.com/2018/06/06/poetry-1528/.

Tuck Magazine,  May 2018, “Refuge,” http://tuckmagazine.com/2018/05/29/poetry-1511/.

 Southernmost Point Guest House (UK), poetry.

Journal of Modern Poetry 21 (Volume 21), “Hell, No,” a poem at JOMP Volume 21 Dear Mr. President.

Journal of Modern Poetry 20 (Volume 20), “Moonlit Awakening,” JOMP Volume 20 Poetry Writer’s Guide to the Galaxy.

Journal of Modern Poetry 18 (Volume 18), The Official Poets Guide to Peace, two poems: “Open” and “After Poetry Class.” 2015. Purchase here.

Journal of Modern Poetry 17 (Volume 17), JOMP Volume 17. 

Cram Volume 12: “White Board Clown,” 2011. Chicago Poetry Press 2011.

Magazine (New Zealand) , Raewyn Alexander, Publisher, nonfiction and poetry.  Raewyn Alexander NZ.

Fiction in: http://staxtes.com/2003/ “Between the Sunlight and the Skipping” in English Wednesdays

Poetry in: https://poetsagainstthewar.org/ archives.

Illinois English Bulletin, a publication of the National Council of Teachers of English, nonfiction article about teaching in an alternative education program.

 Poetry in Marginalia, Elmhurst, IL.

Poetry or Fiction: Genre Decisions/ Rough Draft

Can any topic be used for a poem? A narrative of a father drunk vomiting… agreeing to drive daughter to work during a winter storm–how can that be in a poem? I’m feeling the story wants to be a poem–or am I being influenced too much by Hayden’s “Those Winter Sundays?”

Because I have been reading poetry and keep coming back to  “what did I know” This father is not a farmer, but a father who wasn’t always drunk and sometimes tried to help his daughter get to work so she could save money for college.  (When he wasn’t waiting for her paycheck to “give it home,” if he was drunk on payday—before direct deposits.)

Because no, maybe fiction would be better. The father heaving, vomiting between telling Lo he will, he should drive her to work in a storm, not to walk in the storm. Lo wondering… can she trust Da to drive her?

Fun to explore the decision of what genre would be best for a narrative. Interesting to learn what these characters insist on–poetry, my usual genre, or fiction?

img_1235-1 

Da Girl

Da, girl says
Are you sure you can drive?
Five minutes, he says.

Tap-water instant
Coffee effort Not doing it.

Can you boil water, Lo,
can you?

Five minutes more, he says,
Don’t walk, I hear
The storm.

Da, she whispers,
I’ll lost my job,
Searching the sideways blizzard.

 

 

***And a link to Hayden’s poem: https://www.poetryfoundation.org/poems/46461/those-winter-sundays

Narrative poem published at Wingless Dreamer/Mini Review of site

auditorium benches chairs class    I love writing narrative poems as I am a storyteller; this is a gift I received from both of my parents, who told stories all the time, even in reply to simple questions.  How was your day, I might ask.  And… a story would ensue, sometimes farcical, sometimes tragic, but always–dramatic, need I say, interesting?  My husband says I come from a long line of exaggerators, but I prefer to think I share my parents’ enthusiasm for storytelling.

One of my narrative poems, “The Professor and the Gravel,” was published today here, at Wingless Dreamer: Wingless Dreamer/ Laura Lee. In this poem, I hope to capture the longing for a better life, a life the narrator of the poem simply cannot see through all the dust and “gravel” of her life.

As to the site, Wingless Dreamer is a pleasant site, created with caring and a love of writing and writers.  The founder of the site, Ruchi Acharya, states that she wanted to create:

“…a global platform for emerging writers to gain recognition and showcase their feelings and passion for literature through their creativity.”

Furthermore, Ms. Acharya goes on to state her site is growing and thriving:

” Now, we have 10,000 active visitors and more than 50 international contributors and the community is still growing.”

Writers: if you get a chance, I would check out this site.  In a world wide web often dominated by snide disdain, it’s refreshing to see whole-hearted enthusiasm for the art of writing.

Thanks for reading–and keep on writing.

Laura Lee