Publications, Updated

 

typewriter-vintage-old-vintage-typewriter-163116     Some of my poems, short stories, and nonfiction articles are included in books and magazines published in the UK, Greece, New Zealand, and the United States.

*Coffin Bell Journal,2018
“Herstory,” a poem, to be published October 1, 2018

*Spillwords Press, 2018
Stopped by Laura Lee at Spillwords Press

*Tuck Magazine, June 2018
Tuck Magazine

*Tuck Magazine,  May 2018
Tuck

* Southernmost Point Guest House (UK)
Poetry

* Journal of Modern Poetry 21 (Volume 21)
JOMP Volume 21 Dear Mr. President

* Journal of Modern Poetry 20 (Volume 20)
JOMP Volume 20 Poetry Writer’s Guide to the Galaxy

* Journal of Modern Poetry 17 (Volume 17)
JOMP Volume 17

* Magazine (New Zealand) , Raewyn Alexander, Publisher
Raewyn Alexander NZ

* Fiction in: http://staxtes.com/2003/
“Between the Sunlight and the Skipping” in English Wednesdays

*Poetry in: https://poetsagainstthewar.org/ Archives

* Illinois English Bulletin, a publication of the National Council of Teachers of English, nonfiction article about teaching in an alternative education program.

* Poetry in Marginalia, Elmhurst, IL

Change of Style

                         I wrote two poems recently in a very different style  from what I usually write. I brought one poem to a writing workshop tonight. Three of my colleagues in class cried. (They said it was a good thing.) It was a poem about the changing seasons and when I got to the line about when summer returns to autumn? I heard sniffling.

I think I’ll play around with the poem a few more times and make it better. Then submit it somewhere.

***Done. Worked a lot on this poem and submitted with the other one.

And what’s with speech to text that it does not recognize POEM? It types it as POME. Isn’t POEM a common word anymore?

Thanks for reading!

Poets, how are YOUR submissions going?

poetry  Poets, how are your submissions going?  I have twenty submissions out there, and three were short manuscripts. The rest were single poem submissions. Two contest submissions.

Hope it’s going well.

Next up, I’d love to have a discussion about writing poetry–poetry tips, perhaps?

I really need to write more poetry, not submit as much. But I am not getting any younger!

Thanks for reading, and good luck.

 

On the (not) lucrative world of poetry (I’m laughing too!)

 

be-creative-creative-creativity-256514    I write mostly poetry, although I am writing  more nonfiction since I started this blog about six weeks ago. I do share many poems in their rough draft stages on my Facebook page, but I have a closed site and limit the views even there.  However, I don’t post my poetry here on my website/ blog just yet.

Why? I’ve submitted poetry many places, and editors/ publishers don’t want work that has been “published” elsewhere usually.  Mind you, only a few people are “reading” the poems there at all, but some will even claim a closed locked down Facebook site means
you’ve published your poem.

We poets are not writing Pulitzer Prize winning novels and posting them on Facebook!  It seems a bit silly and excessive to me to not be able to share and get my close friends’ critiques; however, with the poetry publication market as competitive as it is, I don’t want to ruin any chances I might have of publishing.

I admit to liking an audience for my writing.  Is that shallow? Probably.

 

I can write good poetry of a particular style, narrative poetry and dramatic monologues, the latter of which is out of style.  I have sometimes written good lyrical poetry.  I am not an academic but a caring reader and writer, so to me it’s okay I’m not making a living as a poet.

As if. DECADES ago I did research and found that only 9 people in American admit to making their living as a poet. NINE out of what–1/3 of a billion Americans?

I’ve only got so many poems in me–I don’t want to lose the right to publish them unless they are actually PUBLISHED elsewhere. I send out the ones I can stand to lose!  Since poetry doesn’t pay, I have many poems I just don’t want to lose.  I know. As if!

It’s a labor of love, poetry writing and poetry reading. At least for me it is.

Thanks for reading.

Laura Lee

Publications

be-creative-creative-creativity-256514    Some of my poems, short stories, and nonfiction articles are included in books and magazines published in the UK, Greece, New Zealand, and the United States.

*Spillwords Press, July 19, 2018, “Stopped,” a poem
Spillwords Press

*Tuck Magazine, June 2018

Tuck Magazine

*Tuck Magazine,  May 2018

Tuck

* Southernmost Point Guest House (UK)

* Journal of Modern Poetry 21 (Volume 21)

JOMP Volume 21 Dear Mr. President

* Journal of Modern Poetry 20 (Volume 20)

JOMP Volume 20 Poetry Writer’s Guide to the Galaxy

* Journal of Modern Poetry 17 (Volume 17)

JOMP Volume 17

* Magazine (New Zealand) , Raewyn Alexander, Publisher

Raewyn Alexander NZ

* Fiction in: http://staxtes.com/2003/ “Between the Sunlight and the Skipping” in English Wednesdays

* Illinois English Bulletin, a publication of the National Council of Teachers of English, nonfiction.

Lucky Thirteen? (Submissions) but about those boys trapped in the Thai cave…

 

windows    Lucky (I hope) thirteen active submissions of poetry out right now… wait, one is a short nonfiction piece entirely written in dialogue. We shall see! The “declined” or rejections outnumber thirteen–but I am enjoying finding new literary magazines and I am editing, revising, and writing poetry. EXCEPT I cannot write about those poor boys trapped in the caves in Thailand. I usually have no problem writing to a prompt, but these boys, these trapped boys…

I mean those boys are mainly in the dark…and they are BOYS. There is ONE adult with them. I followed the lives and stories of the 33 Chilean miners, big strong men, trained men…and I know how very rough they had after the rescue. The miners were down below much longer… but these are boys…and it could take months. Sigh…

If I were honest, I would say I can barely breathe thinking about those boys.

Here are links to some current articles:

Thailand Cave Rescue Options.

I can barely breathe when I think of all those who are trapped, scared, in the dark–literally or emotionally.

I need to open the window now, despite the stifling heat.

There is a poem there about the need to open windows even in the heat.  Even in the bitterly cold.  (Oh, I’ve had issues doing that.)

Not too long ago, my husband and I were in a resort with huge windows, but they did not open.  I wanted to stay somewhere else,  somewhere the windows opened.

But that’s another story or other stories.

Thanks for reading!

Update on Submission: The Value & Power & Fun of Poetry–Submitted to Willowdown Books

dream courage harmony inspire rocks images Update: the work I submitted here is short-listed; the editors will determine the overall themes of the works they are interested in and then let us short-listed know if we will be published.  I was not familiar that as a writer I would ever be told this, so this is interesting.

As I find new (to me) literary journals, I am delighted to find the absolute joy of language and belief in the power of poetry to be prevalent.  The journals I am finding are truly labors of love, and the publishers and editors are publishing poetry because they love poetry, love language, and believe poetry is important.  What a pleasant change of pace from the local, national, and world news, which is portraying a country and world in hate-filled crisis after crisis!

For example, I just had to submit some poems to Willowdown Books out of the UK: Willowdown Books.

Willowdown is sponsoring “The Poetic Bond VIII,” a bound poetic journal in autumn; submissions are due by the end of the day tomorrow here: The Poetic Bond.

So what creates a “poetic” bond?  The publisher wants to create this bond by publishing poetry that is deeply connected with humanity, nature, and the universe.

You tell me, poets, if this isn’t the heart of poetry?  Deep connections.  Humanity. Nature. The universe.

Yes sirree.  Sure is for me.

Plus the play and delight of language.

Have a look at the “poetic bond” and Willowdown Books.

Oh! For submitting, we got to pick a book out, sort of a thank you for submitting.  This also shows support for the poets already published, so that’s a great idea.

Thanks for reading!

 

Fifteenth poem submitted

Maybe that number is a charm.

I do remember the number 2,500, though. That was the number of contacts it took to find a full time teacher job.

Wait. No… that was when I stopped counting.

Did I get a full time teaching job? Yes I did. Took five years of hard work, and many jobs in the meantime.  I learned something from each job.  The year I had five part-time jobs was exhausting–but I loved each job.  I’m too old for that now, I think.  My head would spin when I checked my calendar.

And this is just a photo I really like.  Yay to beautiful clouds!

Best wishes to all.  11063591_1129659353714480_4688048317150249088_n

Why Strangers Wept (parked here to edit and revise) (learning to use Iphone app)

img_1235-1And from the Iphone app no less!

Why Strangers Wept

Did darkness heal or was it
holding hands at noon
with a small boy who
needed a nap?

Was it the sun
or the silence of the moon
that lifted it all, just a bit.

Maybe it was someone
who remembers
the smaller child and knew
why strangers wept.

On the street, a young girl
skipped then ran then walked
while humming, purple ribbon
escaping black hair.